Q wak

Q wak
HYPER-QUBE - New Jerusalem - ZION - METATRON - The Perfect Ashlar

Q wak examines the philosophy behind the Great Work and the methods employed 2 $-Q(u)AIR the CIRC-L ... examines ancient mythology .. the Q-ode in the ENGL language .. as well as emerging mega technologies utilized by KONTROL ushering in the SiNguLaRitY or Q .. Q wak aides the $eeK for the RE-aL of SENTIENCE

Sunday, June 20, 2010

10 DIME-N-SION

DIME  -                Nth                 -        SION

  In-TEN >> in-10 >> IN-TENse >> IN-TENtion >> IN-10 

10 Sephira = 10 DIME N SIONs     INTENTION SHAPES REALITY
 if you look carefully at the shape of the so called tree of life you'll notice it to be a hexagon ... this structure , a mystic conception of creation is the blueprint for the hyper cube .. kether is the crown or the de-phased pandimensional spanner out of which ripples successive degrees of dimensional realities or constants that vary in elasticity and transmutational potency all the way down to malkuth                    HEX=6=SIX=SEX

the Tree of Life is the christal of intensity


                                     






















 
CRYST-ALL Resonance(light + Sound) creates the 10 dimensions of acoustic refraction HOLOGRAPHIC REALITY
Bach's 440 hz only touches 8, leaving out an entire section of the complete musical resonance of the universe, which thus remains untouched and unintegrated within the 440 hz music of today

By detuning the note 'a' to 432 (harmonic of 54, 108 & 25920 / 60) then the frequency of 'D' becomes 144 hz (144000 cycles per second) Using 432hz as frequency allows for all the wavelengths to harmonize easily with each other.

Harmonics & the speed of light

Bruce Cathie has been writing books on anti-gravity and light harmonics for more than 30 years.

He believes that the universe is based on harmonic series such as 72, 144, 432. And 144 (a "C" tone in hertz) is a perfect harmonic of the speed of light, which is 144,000 nautical miles (144,000 minutes of arc per Earth grid second) in the vacuum of space. Each of these harmonics are literally a mirror, or a cascade of mirrors within mirrors, that 8 hz can look into. For example 144 is 18 x 8 hz, and 72 is 9 x 8 hz. The way that light travels in space is thus a 144 decimal harmonic (144:144,000),

"Cathic found that the fundamental harmonic of light in geometric terms has an angular velocity of 144,000 minutes of arc per grid second. The reciprocal harmonic of light or 1/144,000 repeating .69444. This harmonic refers to the negative reciprocal light, which in theory forms the basic building block of the antiuniverse of light or negative reality.

 the levels exist only in proportional relationship between density,mass,velocity, and charge -- the speed of light is the seed of life ... that is why life begins at 40 -- 40% of 360 is 144 .. the speed of light is 144 grid arcs per second .. this knowledge is ancient

LEVEL = VEL AND LEV -- speed and LITE .. VELocity = In physics, velocity is the rate of change of position. It is a vector physical quantity; both magnitude and direction are required to define it. The scalar absolute value (magnitude) of velocity is speed, a quantity that is measured in meters per second (m/s or ms−1) when using the SI (metric) system.

LEVitation - Levitation (from Latin levitas "lightness")[1] is the process by which an object is suspended by a physical force against gravity, in a stable position without solid physical contact

LEVite - In Jewish tradition, a Levite (Hebrew: לֵוִי, Modern Levi Tiberian Lēwî ; "Attached") is a member of the Hebrew tribe of Levi. When Joshua led the Israelites into the land of Canaan, the Levites were the only Israelite tribe that received cities but no tribal land "because the Lord the God of Israel himself is their inheritance". 

A good MA$$-ON is always  ON the LEVEL



clear away the detritus

Opportunity

Adaptive radiations often occur as a result of an organism arising in an environment with unoccupied niches, such as a newly formed lake or isolated island chain. The colonizing population may diversify rapidly to take advantage of all possible niches.

In Lake Victoria, an isolated lake which formed recently in the African rift valley, over 300 species of cichlid fish adaptively radiated from one parent species in just 15,000 years.

Adaptive radiations commonly follow mass extinctions: following an extinction, many niches are left vacant. A classic example of this is the replacement of the non-avian dinosaurs with mammals at the end of the Cretaceous, and of brachiopods by bivalves at the Permo-Triassic boundary..

if nothing is ever lost and no experience is ever forgotten then maybe a mass extinction is not such a bad thing...once all possible arrangements of novelty have been sequenced within a system it would become neccesary to wipe the slate and reconfigure a new ecology based on wisdom gained from the last paradigm...a whole new order would be established based on the lessons learned from the prior...a mass extinction would be required to make way for the new system...the past is not always prologue if the lessons are learned...all organism bound to the old way of predation and parasitism would have no place in the novus because their physical demands require that life feed on life...the problem with the elites is that while they know this to be true they can not bring themselves to let go and allow nature to proceed...they interfere with process and in order to keep themselves viable from one epoch to the next they fixate on becoming the most efficient predators they can be...this is their perogative...and while they have every right to strive for their own survival the fact remains that their violence is completely unnecasary and even downright foolish...it is not that there is no future it is simply that all organism bound to the current ecology have no place in it...pass the torch...out with the old and in with the new...I do not advocate any action toward the realization of this new order because nature will transcend itself in its own good time in its own way...and this does not mean that our lives are pointless because the the new ORGANIC order will be created with the wisdom gained through the struggles and trials endured in this one....blessing called down
at this point in the drama what is left undone...every configuration has been sequenced...every atrocity has been commited, every blasphemy, every sacrifice, every joy, every horror, the births, the deaths, the rapes , the conquest, the triumphs, the defeats, treacheries, betrayals, murders, genocides, every prayer, all the poetry, every work of art that gives sublime expression to the grand sweep of human experience, we have enough collective experience to know the limits of the human scope, we know our shame and we know our victory, it is enough, let it stand for all time, we are the righteous and the wicked, the strong and the crippled...I would never ask any living thing to relinquish the field...that would be a crime...but nature will force the issue and there will be dissolution, then recombination, and a novus ordo will emerge...but for now "do not go gently into that good night, rage , rage against the dying of the light"....the field of life is configurated energetics arranged into a system...we know that any energetic system properly configured will produce an over unity output...this tells me for certain that life will transcend itself and when it does all that has gone before will be present in the new unbounded eternity

REX MUNDI - King of the World

Gnosticism also presents a distinction between the highest, unknowable
God and the demiurgic “creator” of the material. In contrast to Plato,
several systems of Gnostic thought present the Demiurge as antagonistic
to the will of the Supreme Being: his act of creation occurs in
unconscious semblance of the divine model, and thus is fundamentally
flawed, or else is formed with the malevolent intention of entrapping
aspects of the divine in materiality. Thus, in such systems, the
Demiurge acts as a solution to the problem of evil.

The Gnostic mythos describes the declination of aspects of the divine into human form. Sophia (Greek, literally meaning “wisdom”), the Demiurge’s mother and a partial aspect of the divine Pleroma
or “Fullness,” desired to create something apart from the divine
totality, and without the receipt of divine assent. In this abortive act
of separate creation, she gave birth to the monstrous Demiurge and,
being ashamed of her deed, wrapped him in a cloud and created a throne
for him within it. The Demiurge, isolated, did not behold his mother,
nor anyone else, and thus concluded that only he himself existed, being
ignorant of the superior levels of reality that were his birth-place.
The Demiurge, having stolen a portion of power from his mother, sets about a work of creation in unconscious imitation of the superior Pleromatic realm: He frames the seven heavens, as well as all material and
animal things, according to forms furnished by his mother; working
however blindly, and ignorant even of the existence of the mother who is
the source of all his energy. He is blind to all that is spiritual, but
he is king over the other two provinces. The word dēmiourgos
properly describes his relation to the material; he is the father
of that which is animal like himself.
Thus Sophia’s power becomes enclosed within the material forms of humanity, themselves entrapped within the material universe: the goal of Gnostic movements was typically the awakening of this spark, which
permitted a return by the subject to the superior, non-material
realities which were its primal source.
Psalms 82:1 describes a plurality of gods (ʔelōhim), which an older version in the Septuagint calls the “assembly of the gods,” although it does not indicate that
these gods were co-actors in creation. Philo had inferred from the
expression, "Let us make man," of Genesis that God had used other beings
as assistants in the creation of man, and he explains in this way why
man is capable of vice as well as virtue, ascribing the origin of the
latter to God, of the former to His helpers in the work of creation.
The earliest Gnostic sects ascribe the work of creation to angels, some of them using the same passage in Genesis. So Irenaeus
tells
of the system of Simon Magus,
of the system of Menander,
of the system of Saturninus, in which the number of these angels is
reckoned as seven, and
of the system of Carpocrates. Again, in his report of the system
of Basilides,
we are told that our world was made by the angels who occupy the lowest
heaven; but special mention is made of their chief, who is said to have
been the God of the Jews, to have led that people out of the land of Egypt, and
to have given them their law. The prophecies are ascribed not to the
chief but to the other world-making angels.
The Latin translation, confirmed by Hippolytus,[18] makes Irenaeus state that according to Cerinthus
(who shows Ebionite influence), creation
was made by a power quite separate from the Supreme God and ignorant of
Him. Theodoret,
who here copies Irenaeus, turns this into the plural number “powers,”
and so Epiphanius
represents Cerinthus as agreeing with Carpocrates in the doctrine that
the world was made by angels.

Yaldabaoth

In the Ophite and Sethian systems, which have many affinities with that last mentioned, the making of the world is ascribed to a company
of seven archons, whose names are given, but their chief,
“Yaldabaoth,” comes into still greater prominence.
In the Apocryphon of John circa 120-180 AD, the Demiurge arrogantly declares that he has made the world by himself:
“Now the archon (ruler) who is weak has three names. The first name is Yaltabaoth, the second is Saklas (“fool”), and the third is Samael.
And he is impious in his arrogance which is in him. For he said, ‘I am
God and there is no other God beside me,’ for he is ignorant of his
strength, the place from which he had come.”
He is Demiurge and maker of man, but as a ray of light from above enters the body of man and gives him a soul, Yaldabaoth is filled with envy; he tries to limit man's knowledge by forbidding him the fruit of
knowledge in paradise. The Demiurge, fearing lest Jesus, whom he had
intended as his Messiah, should spread the knowledge of the Supreme God,
had him crucified by the Jews. At the consummation of all things all
light will return to the Pleroma; but Yaldabaoth, the Demiurge, with the
material world, will be cast into the lower depths.
In Pistis Sophia Yaldabaoth has already sunk from his high estate and resides in chaos, where, with his forty-nine demons, he tortures wicked souls in boiling rivers of pitch, and with
other punishments (pp. 257, 382). He is an archon with the face of a
lion, half flame and half darkness.
Yaldabaoth is frequently called "the Lion-faced", leontoeides, with the body of a serpent. We are told also, that the Demiurge is of a fiery nature, the words of Moses being
applied to him, “the Lord our God is a burning and consuming fire,” a
text used also by Simon.
Under the name of “Nebro” (rebel), Yaldabaoth is called an angel in the apocryphal Gospel of Judas. He is first mentioned in “The Cosmos, Chaos, and the Underworld” as one of the twelve angels to come “into
being [to] rule over chaos and the [underworld]”. He comes from heaven,
his “face flashed with fire and whose appearance was defiled with
blood”. Nebro creates six angels in addition to the angel Saklas to be his assistants. These six in turn
create another twelve angels “with each one receiving a portion in the
heavens.”

Names
  • The most probable derivation of the name “Yaldabaoth” is that given by Johann Karl Ludwig Gieseler, “Son of Chaos,” from Hebrew yalda bahut, ילדא בהות.
  • Samael” literally means “Blind God” or “God of the Blind” in Aramaic (Syriac sæmʕa-ʔel). This being is considered not only blind, or ignorant of its own origins, but may in
    addition be evil; its name is also found in Judaica
    as the Angel of Death and in Christian demonology.
    This leads to a further comparison with Satan.
  • Another alternative title for the Demiurge, “Saklas,” is Aramaic for “fool” (Syriac sækla “the foolish one”).

 Marcion

According to Marcion, the title God was given to the Demiurge, who was to be sharply distinguished from the higher Good God. The former was díkaios, severely just, the latter agathós,
or loving-kind; the former was the "god of this world" (2 Corinthians 4:4), the God of
the Old Testament, the latter the true God of the New
Testament
. Christ, though in reality the Son of the Good God,
pretended to be the Messiah of the Demiurge, the better to spread the
truth concerning His heavenly Father. The true believer in Christ
entered into God's kingdom, the unbeliever remained forever the slave of
the Demiurge.

 Valentinus

It is in the system of Valentinus that the name Dēmiourgos is used, which occurs nowhere in Irenaeus except in connexion with the Valentinian system; and we may reasonably conclude that it was
Valentinus who adopted from Platonism the use of this word. When it is
employed by other Gnostics it may be held either that it is not used in a
technical sense, or that its use has been borrowed from Valentinus. But
it is only the name that can be said to be specially Valentinian; the
personage intended by it corresponds more or less closely with the
Yaldabaoth of the Ophites, the great Archon
of Basilides, the Elohim of Justinus, etc.
The Valentinian theory elaborates that from Achamoth (he káta sophía or lower wisdom) three kinds of substance take their origin, the spiritual (pneumatikoí), the animal (psychikoí) and
the material (hylikoí). The Demiurge belongs to the second kind,
as he was the offspring of a union of Achamoth with matter.
And as Achamoth herself was only the daughter of Sophía the last
of the thirty Aeons, the Demiurge was distant by many emanations from
the Propatôr, or Supreme God.
The Demiurge in creating this world out of Chaos was unconsciously influenced for good by Jesus Soter; and the universe, to the surprise even of its Maker, became almost perfect. The Demiurge regretted even
its slight imperfection, and as he thought himself the Supreme God, he
attempted to remedy this by sending a Messiah. To this Messiah, however,
was actually united Jesus the Saviour, Who redeemed men. These are
either hylikoí, or pneumatikoí.
The first, or material men, will return to the grossness of matter and finally be consumed by fire; the second, or animal men, together with the Demiurge as their master, will enter a middle state, neither
Pleroma nor hyle; the purely spiritual men will be completely
freed from the influence of the Demiurge and together with the Saviour
and Achamoth, his spouse, will enter the Pleroma divested of body (hyle)
and soul (psyché).
In this most common form of Gnosticism the Demiurge had an inferior
though not intrinsically evil function in the universe as the head of
the animal, or psychic world.

 The devil

Opinions on the devil, and his relationship to the Demiurge, varied. The Ophites held that he and his demons constantly oppose and thwart the human race, as it was on their account the devil was cast down into
this world.
According to one variant of the Valentinian system, the Demiurge is
besides the maker, out of the appropriate substance, of an order of spiritual
beings, the devil, the prince of this world, and his angels. But the
devil, as being a spirit of wickedness, is able to recognise the
higher spiritual world, of which his maker the Demiurge, who is only
animal, has no knowledge. The devil resides in this lower world, of
which he is the prince, the Demiurge in the heavens; his mother Sophia
in the middle region, above the heavens and below the Pleroma.
The Valentinian Heracleon interpreted the devil as the principle of evil, that of hyle (matter). As he writes in his commentary on John 4:21,
The mountain represents the Devil, or his world, since the Devil was one part of the whole of matter, but the world is the total mountain of evil, a deserted dwelling place of beasts, to which all who lived before
the law and all Gentiles render worship. But Jerusalem represents the
creation or the Creator whom the Jews worship. . . . You then who are
spiritual should worship neither the creation nor the Craftsman, but the
Father of Truth.
Catharism apparently inherited their idea of Satan as the creator of the evil world directly or indirectly from Gnosticism.
This vilification of the Creator was held to be inimical to Christianity by the early fathers of the church. In refuting the views of the Gnostics, Irenaeus observed that "Plato is proved to be more
religious than these men, for he allowed that the same God was both just
and good, having power over all things, and Himself executing
judgment."
Gnosticism attributed falsehood, fallen or evil, to the concept of Demiurge or Creator (see Zeus and Prometheus), though sometimes the creator is from a fallen, ignorant or lesser
rather than evil perspective (in some Gnosticism traditions) such as
that of Valentinius. The Neoplatonic
philosopher Plotinus addressed within his works what he saw as un-Hellenic and blasphemous to the demiurge or creator of
Plato.
Gnosticism's conception of the Demiurge was criticised by the Neoplatonist philosopher Plotinus. Plotinus is noted as the founder of Neoplatonism (along with his teacher Ammonius Saccas),
His criticism is contained in the ninth tractate of the second of the Enneads.
Therein, Plotinus criticizes his opponents for their appropriation of
ideas from Plato:
From Plato come their punishments, their rivers of the underworld and the changing from body to body; as for the plurality they assert in the Intellectual Realm—the Authentic Existent, the Intellectual-Principle, the
Second Creator and the Soul
—all this is taken over from the
Timaeus. (Ennead 2.9.vi; emphasis added from A. H. Armstrong's introduction to Ennead 2.9)
Of note here is the remark concerning the second hypostasis or Creator and third hypostasis or World Soul within Plotnius. Plotinus criticizes his opponents for “all the novelties
through which they seek to establish a philosophy of their own” which,
he declares, “have been picked up outside of the truth”; they attempt to
conceal rather than admit their indebtedness to ancient philosophy,
which they have corrupted by their extraneous and misguided
embellishments. Thus their understanding of the Demiurge is similarly
flawed in comparison to Plato’s original intentions.
Whereas Plato's demiurge is good wishing good on his creation, gnosticism contends that the demiurge is not only the originator of evil but is evil as well. Hence the title of Plotinus'
refutation "Enneads" The Second Ennead, Ninth Tractate - Against
Those That Affirm the Creator of the Kosmos and the Kosmos Itself to be
Evil: [Generally Quoted as "Against the Gnostics"]. Plotinus marks his
arguments with the disconnect or great barrier that is created between
the nous or mind's noumenon (see Heraclitus)
and the material world (phenomenon)
by believing the material world is evil.
The majority view tends to understand Plotinus’ opponents as being a Gnostic sect—certainly, (specifically Sethian) several such groups were present in Alexandria and elsewhere about the Mediterranean during Plotinus’ lifetime, and
several of his criticisms bear specific similarity to Gnostic doctrine
(Plotinus pointing to the gnostic doctrine of Sophia and her emission of
the Demiurge is most notable among these similarities).
However, Christos Evangeliou has contended that Plotinus’ opponents might be better described as simply “Christian Gnostics”, arguing that several of
Plotinus’ criticisms are as applicable to orthodox Christian doctrine as
well. Also, considering the evidence from the time, Evangeliou felt the
definition of the term “Gnostics” was unclear. Thus, though the former
understanding certainly enjoys the greatest popularity, the
identification of Plotinus’ opponents as Gnostic is not without some
contention. Of note here is that while Plotinus' student Porphyry names Christianity
specifically in Porphyry's own works, and Plotinus is to have been a
known associate of the Christian Origen,
none of Plotinus' works mention Christ or Christianity. Whereas Plotinus
specifically addresses his target in the Enneads as the gnostics.
A. H. Armstrong identified the “Gnostics” that Plotinus was attacking as Jewish and Pagan in his introduction to the tract in
his translation of the Enneads. Armstrong alluding to Gnosticism being a
Hellenic philosophical heresy of sorts, which later engaged Christianity
and Neoplatonism.
John D. Turner, professor of religious studies at the University of Nebraska and famed translator and editor of the Nag
Hammadi library, stated that the text Plotinus and his students read was
Sethian gnosticism which predates Christianity. It appears that
Plotinus attempted to clarify how the philosophers of the academy had
not arrived at the same conclusions (such as Dystheism or misotheism
for the creator God as an answer to the problem of evil) as the targets of his criticism.

the physical world was evil and created by Rex Mundi (translated from Latin as "king of the world"), who
encompassed all that was corporeal, chaotic and powerful

Corn-pone $huck in a bottomless MIND-FUCK

Evil daemon

 The evil dæmon, sometimes referred to as the evil genius, is a concept in Cartesian philosophy. In his Meditations on First Philosophy, René Descartes hypothesises the existence of an evil daemon, a personification who is "as clever and deceitful as he is powerful, who has directed his entire effort to misleading me." The evil daemon presents a complete illusion of an external world, including other people, to Descartes' senses, where in fact there is no such external world in existence. The evil genius also presents to Descartes' senses a complete illusion of his own body, including all bodily sensations, where in fact Descartes has no body. Most Cartesian scholars opine that the evil daemon is also omnipotent, and thus capable of altering mathematics and the fundamentals of logic.The evil daemon has a parallel with Bishop Berkeley's concept of a consensus reality supported by God. It is one of several methods of systematic doubt that Descartes employs in the Meditations.[1]

Another such method of systematic doubt is the deus deceptor (French dieu trompeur), the deceptive God. Cartesian scholars differ in their opinions as to whether the deus deceptor and the evil demon are one and the same.

Kennington[3][4] states that the evil daemon is never declared by Descartes to be omnipotent, merely to be not less powerful than he is necessarily deceitful, and thus not explicitly an equivalent to an omnipotent God. The evil daemon is capable of simulating an external world and bodily sensations, but incapable of rendering dubious things that are independent of trust in the senses, such as pure mathematics, eternal truths, and the principle of contradiction.

The accusations referenced a passage in the First Meditation where Descartes stated that he supposed not an optimal God but rather an evil daemon "summe potens & callidus" (translated as "most highly powerful and cunning"). The accusers identified Descartes' concept of a deus deceptor with his concept of an evil daemon, stating that only an omnipotent God is "summe potens" and that describing the evil daemon as such thus demonstrated the identity. Descartes' response to the accusations was that in that passage he had been expressly distinguishing between "the supremely good God, the source of truth, on the one hand, and the malicious daemon on the other". He did not directly rebut the charge of implying that the evil daemon was omnipotent, but asserted that simply describing something with "some attribute that in reality belongs only to God" does not mean that that something is being held to actually be a supreme God.[2]

That the evil daemon is omnipotent, and is seen as a key requirement for Descartes' argument by Cartesian scholars such as Alguié, Beck, Émile Bréhier, Chevalier, Frankfurt, Étienne Gilson, Anthony Kenny, Laporte, Kemp-Smith, and Wilson. The progression through the First Meditation, leading to the introduction of the concept of the evil genius at the end, is to introduce various categories into the set of dubitables, such as mathematics (i.e. Descartes' addition of 2 and 3 and counting the sides of a square). Although the hypothetical evil genius is never stated to be one and the same as the hypothetical deus deceptor, the inference by the reader that they are is a natural one, and the requirement that the deceiver is capable of introducing deception even into mathematics is seen by commentators as a necessary part of Descartes' argument. Kenney exemplifies Cartesian scholarship on this point, stating that the reason that Descartes introduces a second hypothetical, beyond the original hypothetical of the deus deceptor, is that it is simply "less offensive. The content of the two hypotheses is the same, namely that an omnipotent deceiver is trying to deceive." Scholars contend that in fact Descartes was not introducing a new hypothetical, merely couching the idea of a deceptive God in terms that would not be offensive.[2]

Janowski points out one reason for not accepting this interpretation, the same as given by Kennington, namely that the set of things that the evil daemon is stated as rendering dubious ("the heavens, the air, the earth, colours, figures, sounds, and all external things") is only a subset of the things that the deus deceptor is stated as rendering dubious (earth, heavens, extended things, figure, magnitude, place, and mathematics). The omission of mathematics implies either that the evil daemon is not omnipotent or that Descartes retracted Universal Doubt. Janowski notes that in The Principles of Philosophy (I, 15) Descartes states that Universal Doubt applies even to "the demonstration of mathematics", and so concludes that either Descartes' Meditation is flawed, lacking a reason for doubting mathematics, or that the charges of blasphemy were well placed, and Descartes was supposing an omnipotent evil daemon.[2]

W. Teed Rockwell, claiming to be a Deweyan pragmatist, argues that instead of being dualists or Cartesians, "philosophers should realize that the human conscious self is not reducible to the brain, nor to the nervous system, nor even to the human body. The thinking, conscious self is a nexus--or a "behavioral field"--of the brain, the nervous system, the body, and the world."[5] Rockwell contends that his position "can allow for solutions to certain philosophical problems such as the 'brain in the vat,' . . . a contemporary, materialist version of the problem introduced by Descartes's 'Evil Genius'".[5] "Both thought experiments are supposed to show us that human consciousness is plausible even though there might be no world in which consciousness exists," but Rockwell argues "that even in a vat the brain would have to be stimulated by some world, if only a world of electronic gizmos, and that such a world would have to produce a continuous experience. The brain, hence, would have to be embodied in some way.++++ 

Solipsism
  the philosophical idea that only one's own mind is certain to exist. Solipsism is an epistemological or ontological position that knowledge of anything outside one's own specific mind is unjustified. The external world and other minds cannot be known and might not exist. In the history of philosophy, solipsism has served as a skeptical hypothesis.

The map is not the territory
The map is not the territory is a remark by Polish-American scientist and philosopher Alfred Korzybski, encapsulating his view that an abstraction derived from something, or a reaction to it, is not the thing itself. For example, the pain from a stone falling on your foot is not the stone; one's opinion of a politician, favorable or unfavorable, is not that person; and so on. A specific abstraction or reaction does not capture all facets of its source — e.g. the pain in your foot does not convey the internal structure of the stone, you don't know everything that is going on in the life of a politician, etc. — and thus may limit an individual's understanding and cognitive abilities unless the two are distinguished. Korzybski held that many people do confuse maps with territories, in this sense.
in "Form, Substance and Difference," from Steps to an Ecology of Mind (1972), elucidates the essential impossibility of knowing what the territory is, as any understanding of it is based on some representation:

We say the map is different from the territory. But what is the territory? Operationally, somebody went out with a retina or a measuring stick and made representations which were then put on paper. What is on the paper map is a representation of what was in the retinal representation of the man who made the map; and as you push the question back, what you find is an infinite regress, an infinite series of maps. The territory never gets in at all. […] Always, the process of representation will filter it out so that the mental world is only maps of maps, ad infinitum.

Elsewhere in that same volume, Bateson points out that the usefulness of a map (a representation of reality) is not necessarily a matter of its literal truthfulness, but its having a structure analogous, for the purpose at hand, to the territory. Bateson argues this case at some length in the essay "The Theology of Alcoholics Anonymous".

To paraphrase Bateson's argument, a culture that believes that common colds are transmitted by evil spirits, that those spirits fly out of you when you sneeze, can pass from one person to another when they are inhaled or when both handle the same objects, etc., could have just as effective a "map" for public health as one that substituted microbes for spirits.

Another basic quandary is the problem of accuracy. In "On Exactitude in Science", Jorge Luis Borges describes the tragic uselessness of the perfectly accurate, one-to-one map:

In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guild drew a Map of the Empire whose size was that of the Empire, coinciding point for point with it. The following Generations, who were not so fond of the Study of Cartography saw the vast Map to be Useless and permitted it to decay and fray under the Sun and winters.

In the Deserts of the West, still today, there are Tattered Ruins of the Map, inhabited by Animals and Beggars; and in all the Land there is no other Relic of the Disciplines of Geography.

A more extreme literary example, the fictional diary of Tristram Shandy is so detailed that it takes the author one year to set down the events of a single day – because the map (diary) is more detailed than the territory (life), yet must fit into the territory (diary written in the course of his life), it can never be finished. Such tasks are referred to as supertasks.

With this apocryphal quotation of Josiah Royce, Borges describes a further conundrum of when the map is contained within the territory, you are led into infinite regress:

The inventions of philosophy are no less fantastic than those of art: Josiah Royce, in the first volume of his work The World and the Individual (1899), has formulated the following: 'Let us imagine that a portion of the soil of England has been levelled off perfectly and that on it a cartographer traces a map of England. The job is perfect; there is no detail of the soil of England, no matter how minute, that is not registered on the map; everything has there its correspondence. This map, in such a case, should contain a map of the map, which should contain a map of the map of the map, and so on to infinity.' Why does it disturb us that the map be included in the map and the thousand and one nights in the book of the Thousand and One Nights? Why does it disturb us that Don Quixote be a reader of the Quixote and Hamlet a spectator of Hamlet? I believe I have found the reason: these inversions suggest that if the characters of a fictional work can be readers or spectators, we, its readers or spectators, can be fictions.

An alternative reason why we are bothered by the conundrum of infinite regress or the conundrum of maps within maps is that we fail to see that the concept of a "map of a map" is the same thing as the concept of a "map of a map of a map." In both cases, the concept is a metaphor for the faculty of reflection. We fail to distinguish that one's capability of reflecting is an enduring perspective and not simply a fleeting act of examining something. Each time I examine myself examining something (or in turn reflect upon my examination of myself examining my examination) I am exercising the same enduring ability[citation needed]. Husserl referred to this ability as the "transcendental ego," the mind's eye or the capability of a human to reflect and abstract. Standing between two mirrors, you will not be fooled by the infinite regress of the reflection of yourself in a mirror within a mirror within a mirror (ad infinitum) precisely because you are able to see (understand) that you are looking at mirrors facing each other and are not looking at an infinite queue of doppelgänger. Likewise characters of a fictional work can be readers or spectators or any other fiction that can be imagined precisely because they are fictions, but the fact that you can reflect upon your ability to examine yourself and your thoughts means you are capable of abstraction and need not suggest that you too are a fictional character in a fictional work.

Neil Gaiman retells the parable in reference to storytelling in Fragile Things (it was originally to appear in American Gods):

One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless. The tale is the map that is the territory.

The development of electronic media blurs the line between map and territory by allowing for the simulation of ideas as encoded in electronic signals, as Baudrillard argues in Simulacra & Simulation:

Today abstraction is no longer that of the map, the double, the mirror, or the concept. Simulation is no longer that of a territory, a referential being or substance. It is the generation by models of a real without origin or reality: A hyperreal. The territory no longer precedes the map, nor does it survive it. It is nevertheless the map that precedes the territory - precession of simulacra - that engenders the territory. (Baudrillard, 1994, p. 1)

Philosopher David Schmidtz draws on this distinction in his book "Elements of Justice," apparently deriving it from Wittgenstein's private language argument.

The fundamental trade-off between accuracy and usability of a map, particularly in the context of modeling, is known as Bonini's paradox, and has been stated in various forms, poetically by Paul Valéry: "Everything simple is false. Everything which is complex is unusable."
[edit] "The map is not the territory"

The expression "the map is not the territory" first appeared in print in a paper that Alfred Korzybski gave at a meeting of the American Association for the Advancement of Science in New Orleans, Louisiana in 1931: [1]

* A) A map may have a structure similar or dissimilar to the structure of the territory...

* B) A map is not the territory.

It is used as a premise in Korzybski's General Semantics, and in neuro-linguistic programming.

Korzybski's dictum ("The map is not the territory") is also cited as an underlying principle used in neuro-linguistic programming, where it is used to signify that individual people in fact do not in general have access to absolute knowledge of reality, but in fact only have access to a set of beliefs they have built up over time, about reality. So it is considered important to be aware that people's beliefs about reality and their awareness of things (the "map") are not reality itself or everything they could be aware of ("the territory"). The originators of NLP have been explicit that they owe this insight to General Semantics.
The Belgian surrealist artist René Magritte illustrated the concept of "perception always intercedes between reality and ourselves"[2] in a number of paintings including a famous work entitled The Treachery of Images, which consists of a drawing of a pipe with the caption, Ceci n'est pas une pipe ("This is not a pipe").

This concept occurs in the discussion of exoteric and esoteric religions. Exoteric concepts are concepts which can be fully conveyed using descriptors and language constructs, such as mathematics. Esoteric concepts are concepts which cannot be fully conveyed except by direct experience. For example, a person who has never tasted an apple will never fully understand through language what the taste of an apple is. Only through direct experience (eating an apple) can that experience be fully understood.

Lewis Carroll, in Sylvie and Bruno Concluded (1893), made the point humorously with his description of a fictional map that had "the scale of a mile to the mile." A character notes some practical difficulties with such a map and states that "we now use the country itself, as its own map, and I assure you it does nearly as well."

In a sort of counterpoint to Lewis Carroll, the University of Cambridge economist Joan Robinson (1962) emphasized the disutility of 1:1 maps and other overly detailed models: "A model which took account of all the variegation of reality would be of no more use than a map at the scale of one to one."

Korzybski's argument about the map and the territory also influenced the Belgian surrealist writer of comics Jan Bucquoy for a storyline in his comic Labyrinthe: a map can never guarantee that one will find the way out, because the accumulation of events can change the way one looks at reality.

Historian of religions J. Z. Smith wrote a book entitled Map is not Territory: Studies in the History of Religions (1978, University Of Chicago Press 1993 paperback: ISBN 0-226-76357-9).

Author Robert M. Pirsig uses the idea both theoretically and literally in his book Lila when the main character/author becomes temporarily lost due to an over reliance on a map, rather than the territory that the map describes.

The map-vs.-territory distinction arises in a dramatic scene in David Foster Wallace's novel Infinite Jest. A game of Eschaton, a fictional geopolitical wargame played on a tennis court which is used to represent the surface of the planet Earth, dissolves into chaos when it begins to snow. The snow exists only in the real world and therefore is falling only on the map, and not on the territory which the map is representing; however, some players cannot understand this distinction and begin to claim that the snow affects the damage parameters of the game. One player then launches an attack and purposefully hits another player, instead of an area of the map, further contributing to the degeneration of the Eschaton game. Infuriated, an authority figure on the game rants:

Players themselves can't be valid targets. Players aren't inside the goddamn game. Players are part of the apparatus of the game. They're part of the map. It's snowing on the players but not on the territory.... You can only launch against the territory. Not against the map. It's like the one ground-rule boundary that keeps Eschaton from degenerating into chaos. Eschaton, gentlemen, is about logic and axiom and mathematical probity and discipline and verity and order. You do not get points for hitting anybody real. Only the gear that maps what's real.

Disneyland - T.V. Diners - Pornography - WALMART - Sunday School

Both Umberto Eco and Jean Baudrillard refer to Disneyland as an exemplar of hyperreality. Eco believes that Disneyland with its settings such as Main Street and full
sized houses has been created to look "absolutely realistic," taking
visitors' imagination to a "fantastic past."[7]
This false reality creates an illusion and makes it more desirable for
people to buy this reality. Disneyland works in a system that enables
visitors to feel that technology and the created atmosphere "can give us
more reality than nature can."[8]
The fake animals such as alligators and hippopotamus are all available
to people in Disneyland and for everyone to see. The "fake nature" of
Disneyland satisfies our imagination and daydream fantasies in real
life. Therefore, they seem more admirable and attractive. When entering
Disneyland, consumers form into lines to gain access to each attraction.
Then they are ordered by people with special uniforms to follow the
rules, such as where to stand or where to sit. If the consumer follows
each rule correctly, they can enjoy "the real thing" and see things that
are not available to them outside of Disneyland's doors.[9]
In his work Simulacra and Simulation, Baudrillard argues the "imaginary world" of Disneyland magnetizes people inside and has been presented as "imaginary" to make people believe
that all its surroundings are "real". But he believes that the Los
Angeles area is not real; thus it is hyperreal. Disneyland is a set of
apparatus, which tries to bring imagination and fiction to what is
called "real". This concerns the American values and way of life in a
sense and "concealing the fact that the real is no longer real, and thus
of saving the reality principle."[10]
"The Disneyland imaginary is neither true or false: it is a deterrence machine set up in order to rejuvenate in reverse the fiction of the real. Whence the debility, the infantile degeneration of this
imaginary. It's meant to be an infantile world, in order to make us
believe that the adults are elsewhere, in the "real" world, and to
conceal the fact that real childishness is everywhere, particularly
among those adults who go there to act the child in order to foster
illusion of their real childishness." [11]

Other examples

  • A magazine photo of a model that has been touched up with a computer.
  • Films in which characters and settings are either digitally enhanced or created entirely from CGI (e.g.: 300, where the entire film was shot in front of a blue/green screen, with
    all settings super-imposed).
  • A well manicured garden (nature as hyperreal).
  • Any massively promoted versions of historical or present "facts" (e.g. "General Ignorance" from QI, where the questions have seemingly obvious answers, which are actually wrong).
  • Professional sports athletes as super, invincible versions of the human beings.
  • Many world cities and places which did not evolve as functional places with some basis in reality, as if they were creatio ex nihilo (literally 'creation out of nothing'): Disney World; Dubai; Celebration, Florida; and Las Vegas.
  • TV and film in general (especially "reality" TV), due to its creation of a world of fantasy and its dependence that the viewer will engage with these fantasy
    worlds. The current trend is to glamorize the mundane using histrionics.
  • A retail store that looks completely stocked and perfect due to facing, creating a world of endless identical products.
  • A life which cannot be (e.g. the perfect facsimile of a celebrity's invented persona).
  • A high end sex doll used as a simulacrum of a bodily or psychologically unattainable partner.[12]
  • A newly made building or item designed to look old, or to recreate or reproduce an older artifact, by simulating the feel of age or aging.
  • Constructed languages (such as E-Prime) or "reconstructed" extinct dialects.
  • Second Life The distinction becomes blurred when it becomes the platform for RL (Real Life) courses and conferences, Alcoholics Anonymous meetings or leads
    to real world interactions behind the scenes.
  • Weak virtual reality which is greater than any possible simulation of physical reality

Myth of Progress

Some 20th century authors refer to the "Myth of Progress" to challenge the Idea of Progress, especially the assumption that the human condition will inevitably improve. In 1932 English physician Montague David Eder wrote: "The myth of progress states
that civilization has moved, is moving, and will move in a desirable
direction. Progress is inevitable..... Philosophers, men of science and
politicians have accepted the idea of the inevitability of progress."[33]
Eder argues that the advancement of civilization is leading to greater
unhappiness and loss of control in the environment.
Sociologist P. A. Sorokin argued, "The ancient Chinese, Babylonian, Hindu, Greek, Roman and most of the medieval thinkers supporting theories of rhythmical, cyclical or trendless move­ments of social
processes were much nearer to reality than the present proponents of the
linear view."[34]
Philosopher Karl Popper emphasized the inadequacies of the Idea of Progress as a scientific explanation of social phenomena.[35] More recently, Kirkpatrick Sale, a self-proclaimed neo-luddite author, wrote exclusively about
progress as a myth, in an essay entitled "Five Facets of a Myth".[36]
Iggers (1965) says the great failing of the prophets of progress was that they underesti­mated the extent of man's destructiveness and irrationality. The failing of the critics of the Idea of Progress, he
adds, came in misunderstanding the role of ra­tionality and morality in
human behavior.[37]mmm
Hyperreality is significant as a paradigm to explain current cultural conditions. Consumerism, because of its reliance on sign exchange value (e.g. brand X shows that one is fashionable, car Y indicates one's wealth), could be seen as a contributing factor in the creation of hyperreality or the hyperreal condition. Hyperreality tricks consciousness into detaching from any real emotional engagement, instead opting for artificial simulation, and endless reproductions of fundamentally empty appearance. Essentially, (although Baudrillard himself may balk at the use of this word) fulfillment or happiness is found through simulation and imitation of a transient simulacrum of reality, rather than any interaction with any "real" reality.

Interacting in a hyperreal place like a casino gives the subject the impression that one is walking through a fantasy world where everyone is playing along. The decor isn't authentic, everything is a copy, and the whole thing feels like a dream. What isn't a dream, of course, is that the casino takes your money in exchange for chips, which you are more apt to give them when your consciousness doesn't really understand what's going on. In other words, although you may intellectually understand what happens at a casino, your consciousness thinks that gambling money in the casino is part of the "not real" world. It is in the interest of the decorators to emphasize that everything is fake, to make the entire experience seem fake. The casino succeeds in turning money itself into an object with no inherent value or inherent reality

Hyperreality is used in semiotics and postmodern philosophy to describe a hypothetical inability of consciousness to distinguish reality from fantasy, especially in technologically advanced postmodern cultures. Hyperreality is a means to characterize the way consciousness defines what is actually "real" in a world where a multitude of media can radically shape and filter an original event or experience. Some famous theorists of hyperreality include Jean Baudrillard, Albert Borgmann, Daniel Boorstin, and Umberto Eco.

Most aspects of hyperreality can be thought of as "reality by proxy." Some examples are simpler: the McDonald's "M" arches create a world with the promise of endless amounts of identical food, when in "reality" the "M" represents nothing, and the food produced is neither identical nor infinite.[1]

Baudrillard in particular suggests that the world we live in has been replaced by a copy world, where we seek simulated stimuli and nothing more. Baudrillard borrows, from Jorge Luis Borges (who already borrowed from Lewis Carroll), the example of a society whose cartographers create a map so detailed that it covers the very things it was designed to represent. When the empire declines, the map fades into the landscape and there is neither the representation nor the real remaining – just the hyperreal. Baudrillard's idea of hyperreality was heavily influenced by phenomenology, semiotics, and Marshall McLuhan.
Consensus reality is an approach to answering the question "What is real?", a philosophical question, with answers dating back millennia; it is almost invariably used to refer to human consensus reality, though there have been mentions of feline and canine consensus reality.[1] It gives a practical answer - reality is either what exists, or what we can agree by consensus seems to exist; the process has been (perhaps loosely and a bit imprecisely) characterised as "[w]hen enough people think something is true, it... takes on a life of its own." The term is usually used disparagingly as by implication it may mean little more than "what a group or culture chooses to believe," and may bear little or no relationship to any "true reality", and, indeed, challenges the notion of "true reality". For example, Steven Yates has characterised the idea that the United States Federal Reserve Notes (not "backed" by anything) are "really worth a dollar" as "part of what we might call our consensus-reality, [not] real reality."[2]

The difficulty with the question stems from the concern that human beings do not in fact fully understand or agree upon the nature of knowledge or knowing, and therefore (it is often argued) it is not possible to be certain beyond doubt what is real.[3][4] Accordingly, this line of logic concludes, we cannot in fact be sure beyond doubt about the nature of reality. We can, however, seek to obtain some form of consensus, with others, of what is real. We can use this to practically guide us, either on the assumption it seems to approximate some kind of valid reality, or simply because it is more "practical" than perceived alternatives. Consensus reality therefore refers to the agreed-upon concepts of reality which people in the world, or a culture or group, believe are real (or treat as real), usually based upon their common experiences as they believe them to be; anyone who does not agree with these is sometimes stated to be "in effect... living in a different world."[5]

Throughout history this has also raised a social question:

What shall we make of those who do not agree with consensus realities of others, or of the society they live in?

Children have sometimes been described or viewed as "inexperience[d] with consensus reality,"[6] although with the expectation that they will come into line with it as they mature. However, the answer is more diverse as regards such people as have been characterised as eccentrics, mentally ill, enlightened or divinely inspired [disambiguation needed], or evil or demonic in nature. Alternatively, differing viewpoints may simply be put to some kind of "objective" (though the nature of "objectivity" goes to the heart of the relevant questions) test. Cognitive liberty is the freedom to be the individual's own director of the individual’s own consciousness and is fundamentally opposed to enforcement of the culturally accepted reality upon non-conforming individuals. Effects of low cognitive liberty vary from indifference to forced-medication and from social-alienation to incarceration to death

A Neurally Controlled Animat is the conjunction of

1. a cultured neuronal network
2. a virtual body, the Animat, "living" in a virtual computer generated environment, connected to this array

Patterns of neural activity are used to control the virtual body, and the computer is used as a sensory device to provide electrical feedback to the neural network about the Animat's movement in the virtual environment.

The current aim of the Animat research is to study the neuronal activity and plasticity when learning and processing information in order to find a mathematical model for the neural network.

It leads towards interesting questions about consciousness theories as well.

Wenlock & Mandeville

 WATCH THIS FIRST!!!

these two characters represent the two main fallen angels from the book of Enoch - Semyaza and Azazel

Semyaza - In the Book of Enoch he is portrayed as the leader of a band of angels called the Watchers that are consumed with lust for mortal women and become Fallen Angels.
And Semjâzâ, who was their leader, said unto them: 'I fear ye
will not indeed agree to do this deed, and I alone shall have to pay the
penalty of a great sin. And they all answered him and said: 'Let us all
swear an oath, and all bind ourselves by mutual imprecations not to
abandon this plan but to do this thing.' Then sware they all together
and bound themselves by mutual imprecations upon it.


Azazel
- The whole earth has been corrupted through the works that were taught by Azazel: to him ascribe all sin. Enoch 10:8
Azazel is represented in the Book of Enoch as one of the leaders of the rebellious Watchers in the time preceding the flood; he taught men the
art of warfare, of making swords, knives, shields, and coats of mail,
and women the art of deception by ornamenting the body, dyeing the hair,
and painting the face and the eyebrows, and also revealed to the people
the secrets of witchcraft and corrupted their manners, leading them
into wickedness and impurity

both are Watchers and the two olympic mascots each have a camera in there giant EYE
......"Asked to describe exactly what his creations were, designer Grant Hunter of London-based firm Iris, said they were "magical
beings" that would become "multi-dimensional" mascots aimed at
capturing the imagination of children across the world. Wenlock and Mandeville both have
one large eye, representing a camera lens so they can record
what they see(WATCHERS), cannot speak, do not smile and have features
borrowed from London's iconic taxis."

it is also interesting that in the animated story these two characters are fashioned out of FALLEN drops of molten metal from the last girder fabricated for the 2012 olympic stadium -- FALLEN SPARKS(cast down)

in the animation the man that creates the two is named George as in St. George who slays the Typhon Dragon of Primordial Chaos(ordo ab chao - The Great Work) .. the cartoon shows a banner that reads HAPPY RETIREMENT GEORGE .. this is highly significant .. it is allegorical of the completion of The Great Work and that George(Kontrol Freak Elite) has done a fine job and executed his duty admirably , now that the work is complete George can now retire and go WEST(George is depicted heading directly WEST into the setting sun on the bike ride home) .. when he arrives home the O-range ring shaped retirement cake he is presented with by his wife and grandchildren is missing one piece which is the symbol omega Ω

in the animation Mandeville is Azazel/Vulcan/Tubal Cain(the lame smith god) and Wenlock is Semyaza/Lucifer(the light bearer) .. Wenlock in the cartoon picks up a flashlight that signifies the olympic torch or luciferian flame, the alleged taxi logo on the characters forehead is the luciferian flame of illumination , his colors are gold and red(sun & fire) -- Mandeville is shown riding a wheelchair which would make him the lame smith god Hephaistos/Vulcan "the artificer" , his colors are blue and silver(moon & water) .. Hephaistos reveals how he became lame: at the climax of a domestic dispute, Hephaistos stood with his mother in defiance of Zeus. The
Olympian Zeus, in his rage, caught Hephaistos by the foot and hurled him
from the magic threshold of Mount Olympos to the earth far below.(CAST DOWN) - in Enoch the watcher Azazel is responsible for teaching men sword making and warfare.

the names Wenlock and Mandeville are thoroughly coded with occultic symbolism but I will leave that to the reader to decipher .. the Fallen Angels were both outlaws and traitors and the names Wenlock and Mandeville belonged to two of english history's most notorious

Sir John Wenlock(order of the garter) (later, the 1st Baron Wenlock) lived in the 15th century, and is remembered as a soldier who fought on the side
of both the Yorkists and the Lancastrians in the Wars of the Roses. One historian has gone so far as to call
him "Prince of Turncoats
http://en.wikipedia.org/wiki/John_Wenlock,_1st_Baron_Wenlock

Geoffrey de Mandeville II, 1st Earl of Essex (1st Creation)(knights templar) (d. Sept. 1144) was one of the prominent players during the reign of King Stephen of England. His biographer, the 19th-century
historian J. H. Round, called him "the most
perfect and typical presentment of the feudal and anarchic spirit that
stamps the reign of Stephen.
In 1143-1144 Geoffrey maintained himself as a rebel and a bandit in the fen-country, using the Isle of Ely and Ramsey Abbey as his headquarters. He was besieged by King Stephen and met
his death in September 1144 in consequence of an arrow wound received in
a skirmish. Denied burial because he died excommunicate, his body was
wrapped in lead and taken to the Templar community in London. He was buried in the Temple
Church
in London and an effigy was placed on the floor, where it
still can be seen today.
His career as an outlaw exemplifies the worst excesses of the civil wars of 1140-1147, and it is possible that the deeds of Mandeville inspired
the rhetorical description, in the Peterborough Chronicle of this
period, when "men said openly that Christ and
his saints were asleep." He had seized Ramsey Abbey (near Peterborough)
in 1143, expelling the monks and using Ramsey as a base for forays into
the surrounding region.
http://en.wikipedia.org/wiki/Geoffrey_de_Mandeville,_1st_Earl_of_Essex

gnostic beef from chubby jiggles

 morphogenic engineering and the artificial matrix
the idea that life is an engineered construct becomes more and more obvious as science progresses in its understanding of reality .. we now know from all the recent developments in the fields of evolutionary anthroplogy and genetics that the human being was indeed engineered by some form of very sophisticated technology, but is genetic engineering the beginning of our history and the answer to the big questions ... who are we ? .. where did we come from? .. where are we going? ... I think genetic engineering is a good place to begin to find answers but the truth of our origins are probably found at a much deeper level ... it could be that the field of life itself has been manipulated and engineered at an etheric level and the physical organic vehicle of the human body is just a shadow or echo of this effect .. there is strong evidence that supports the existence of a morphogenic field and if it has been manipulated that would amount to not genetic engineering but spiritual engineering .. we have this concept in religion and philosophy of an eternal soul .. the soul itself in some mystical systems is thought to be a vehicle or body for an even more rarefied essence .. in fact some systems of metaphysics such as the hindu and egyptian have as many as 7 layers or energetic sheaths for what the buddhist call the indestructible drop and what the hindus know as atman which is the pure unadulterated and nonsubjective sovereign integral of the all of the all ... now what if some form of manipulation has occurred on one of these higher levels and what we know as the human soul is a fractured and crippled construct of diluted essence engineered not to serve a master who has any corporeal needs or material requirements but an etheric parasite that feeds on emotional and psychic energetics .. if this is the case then it could be as well that not only the morphogenic field but the whole construct of the universal matrix has been engineered from greedy and sinister motivations .. in that case everything on the physical plain including the alleged powers that be would themselves be mere cogs in a mechanism that even they may not be fully aware of and there is some Dark Lord who presides over the whole circus that remains hidden to all but a very few beings that are not of a 3 dimensional material existence
what happens when positive meets negative ? .. energy discharge .. dialectic is at the core of of this reality and the basic energetics have been tangled up in such a way that the process is unable to organically resolve itself internally .. this is the nature of paradox .. it is an engineered loop that emits energy but never achieves over unity configuration .. it never resolves itself .. it reaches a critical point of overload and then is strategically imploded before progress can be made and the whole cycle begins again ... there is no external, technological , political, financial solutions to any of the problems we face as individuals or as a species .. the only way of progressing beyond the prison is to completely disengage from it .. don't try to solve the problem just let go of the problem all together .. go inside because outside is always a trap .. the matrix will always feed you just the right amount of fear and desire to keep you enmeshed in the game
is LIFE is a satanic proposition? -- the hideous visage of horror(satan) and
the beautiful countenance of splendor(lucifer) are the two basic
motivations of all creatures - FEAR(satan) and DESIRE(lucifer) -- our
existence is found at the cross roads where the two(lucifer&satan)
intersect and diverge -- the devil offers us a bargain ... the
world(timespace corporeality) for the spark(living essence) .. the world
can not exist unless sentient beings freely assent to create it .. but
there is a catch .. the absolute fundamental principal of the
world(devils nature) is broken symmetry(imbalance) .. the priesthood has
struck this bargain and is determined to beat the devil at all costs at
the devils own game .. this is impossible and this fact does not escape
the wise ... the wise see the futility of attempting to finish the
unfinished symphony .. the unfinished symphony is not really unfinished
because it has been and will be playing and repeating through perpetual
cycles of eternity .. it is not so much unfinished as it is unsatisfying
... there is no finale just endless interludes and crescendos .. the
priesthood is determined to "storm the gates of heaven and take the
kingdom by force" ... they believe that to accomplish this mad end they
need an army or an engine of will(human race) that is timed and geared
with kabbalistic precepts .. in order to traverse the abyss(beat the
devil-choronzon) they need to fuel the engine(human wil power) .. the
fuel is FEAR & DESIRE .. they stoke the FEAR with tales of hellfire
and existential torments of every kind ... they induce the desire with
promise of resolution and rectification(catharsis of apocalypse and
eternal reward and divine justice) .. this keeps us interested .. it
keeps us chasing the dragon .. it keeps us playing the devils game(life)
.. there will be no catharsis .. no ultimate victory .. just endless
skirmish .. just an eternal tide of crests and breakers .. Manly P Hall
calls the accomplishment of 'The Great Work' the "victory of the soul
over circumstance" .. this is a mad delusion of a fevered brain -- a
pipe dream -- Quixote's battle with the wind mills .. dissolution is the
only resolution, the wise have always known this .. the eternal fate of
fools and maniacs will always be ....
"It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back
to home. A messenger from the Kingdom, arriving at the last moment. But
I tell you there is no such message, no such home -- only the millions
of last moments . . . nothing more. Our history is an aggregate of last
moments."

this kabbalistic war has been waged throughout all eternity and will be raging for an eternity to come
"it's a big idea, a new world order" - bush
the reason they call themselves the lords of the rings of time is because they have been after this "big idea" for aeons of time and will never give up or relent or acquiesce until they have conquered all of space and time


 

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